“ICE, ICE, Baby…”

Installation at AIC of “Infantry with beast” (2008-10) by Jane Alexander evokes fascism with its menacing dog-like “humanimals” marching in formation… To the tune of “Rudolph/Reindeer”: “You know Bondi and Hegseth and RFK, Jr…”
“Eyes RIGHT!” sounds about right.
Trump’s Cabinet and ICE minions answer in the affirmative the long-unsolved philosophical question: “Do assholes have assholes?”
A metaphorical erasure. On the walls of the very same gallery were vestiges of the last major exhibit featuring the works of Gustave Caillebotte. This image resonates because authoritarian states always work to destroy any “degenerate” art/culture that doesn’t suit its own needs or that challenges its authority.

“De-booting (Fuck Trumpf!)”

Let us renew and long replace

What boots have stomped but cannot erase.

One glorious snow-ball to the head of an ICE agent in Minneapolis, MN. Surprised he didn’t fire into the crowd for “weaponizing snow.”

“The Bald F*cking Truth”

“Who LOVES ya’, baby?”
“Who HATES ya’, baby?”

It dawned on me that each year both begins and ends with “The Twilight Zone” marathon. Bookends, if you will. And this seems particularly fitting in the era of Trump 2.0, as we now live in a dystopian Shit-Show Supremo run by idiots, charlatans and ghouls. Who are these lame, prick-ass loser-fucks, anyway?! Were they not breast fed? Was it red dye #2? Too much TV? Not enough??

I mean, can’t we all just get along? They were a gift (to myself)…

I caught part of the TZ episode with Telly Savalas. What a absolute gem, he was. Gently layered and complex, but with a sweet core like a Tootsie Pop. Stephen Miller, on the other hand, has spent his whole life prepping for this one reality TV role as a petit fascist. What an utter germ, he is. If he were a food, he would be shit of a hyena wrapped in a rotting buzzard carcass. No, wait. That’s far too nice. Give me a minute…

Oh, yeah, and Happy New Year!!

New Years Day 2026 in Chicago. The GOP’s elephant has keeled over from exhaustion after a year of nonstop hatred, divisiveness, mendacity and greed. But let’s be serious, does anyone expect anything different in 2026? Fucking jagoffs.

“Old Fezziwig!”

A Merry Christmas to everyone from Great Exudations! This year we have a special treat for you. That timeless traveling troubadour, Tommy Treacle, was in the studio with me earlier this week and we were discussing all things Christmas. Below is a lightly edited version of our conversation. Enjoy!

Host: Welcome back, Tommy! It’s been far too long.

TT: Great to see you. How time flies, my friend. I’m beginning to feel like one of those old ghosts from Dickens’ “A Christmas Carol.”

Host: Which ghost would you be?

TT: I’d like to imagine myself as the fat and fun-loving one in the middle. The Ghost of Christmas Present, that would be. It’s best to live in the now when the drinks are cold and the food is still warm.

Host: Speaking of Dickens, do you have a favorite film version?

TT: I would say the 1938 film with Reginald Owen, probably because it was my first. I’m big on firsts. And I love the fact that Bob Cratchit and his wife were played by the real-life married couple, Gene and Kathleen Lockhart.

Host: I didn’t know that!

Kathleen and Gene Lockhart in “A Christmas Carol” (1938). Their daughter June Lockhart (of “Lost In Space” fame) also played their screen daughter, Belinda, in the film.

TT: I also greatly enjoy the 1951 film with Alastair Sim. But I have little time for the George C. Scott version that others seem to revere. I dislike the idea of an American playing Scrooge, even if the General Patton himself shared some of his less endearing qualities. Just too much muddle for my taste. I’m old school.

Host: Which character do you most identify with?

TT: No question. It’s Old Fezziwig. He embodies the warm generosity of Christmas. He plays such a small role but in a way he’s the heart of it all. His benevolence has shown the young Ebeneezer the way, and that kernel is what germinates into his subsequent redemption. I’m a Fezziwigger, all the way.

Host: I like that answer. And it’s a perfect segue to introduce the song you just played for me that was inspired by the Dickens novella. Have a listen.

Tommy Treacle’s song “Old Fezziwig” with a borrowed introduction from Lionel Barrymore

Host: That’s a nice little song. I like how you gave the story your own spin. A sort of internal refraction. Maybe not a bad definition of art. And while we are on visual media, let me ask are you more of a “Grinch” or “Charlie Brown” guy?

TT: Oh, man, that’s a really tough one. They both hit such warm, joyful notes yet are accompanied by a wonderful sort of melancholy. Not nostalgia exactly because I think it was always there, tugging at the heart strings. We’re pitting that moving score by Vince Guaraldi against the evocative narration of Boris Karloff. Hmmm. If I could only have one, it would have to be “A Charlie Brown Christmas.” Wait, no. Fuck it. I have to have both!

Host: Agreed.

The good old days.

Host: So, what was your favorite Christmas present as a child?

TT: That’s another hard one. I remember getting a really cool model of the Batmobile that came with its own hard plastic Bat Cave. Stoked the imagination. Wish I still had it, frankly. Oh, and a Wilson K2 football that I cherished until it finally wore out. How about you?

Host: My dad got me a subscription to Playboy when I was 16. I had already moved on to Penthouse by that time, but I really appreciated the gesture. He was welcoming me into manhood. Drawing me out of my Bat Cave, if you will.

TT: Ha! Indeed.

This was me, in my mind anyway, while playing with my Batmobile.

Host: And what’s your take on Christmas music?

TT: I love it. If I had to choose one, I’d go with Andy Williams. He just hits the right notes for me, his politics aside.

Host: Politics?

TT: Apparently a friend of John F. Kennedy, but also a lifelong Republican who loaned his song “Born Free” to Rush Limbaugh who then trolled animal rights activists by adding the sound of gunfire to it. Fuck that. But his Christmas songs are essential. I’m separating the man and his art here.

Host: Any other favorites?

TT: Early Sinatra, any Ella Fitzgerald, that Vince Guaraldi soundtrack we discussed… oh, and Nat King Cole!

I’ll always associate him with Christmas and wintertime, so I gave him the nickname of Nat King COLD!!

Host: What other Christmas memories stand out to you?

TT: I remember coming home for the holidays from college and getting some terrible news. A childhood friend had died in a car crash when he was also returning from school. At the time, my older sister was working as a first grade teacher at our old Catholic school. She very sweetly conjured a scheme to life my spirits by asking me to play Santa for her class. And it worked! Now, at the time I was quite thin but she stuffed me fat with pillows and such. And somehow, despite my initial lack of confidence in the role, the kids took to me. God bless ’em. A few asked for Transformers or Barbie dolls. But one kid stood out who requested ten treasure maps! I absolutely love both the spirit and the specificity of that. He didn’t just want stuff. He wanted detailed adventure maps, exactly ten of them, to go find the stuff for himself. That kid intuitively knew what life was all about. He’s a Fezziwigger!

Tommy Treacle as Santa with older brother and sister (Dec 1984).
You can never have too many treasure maps, but ten is a good number for starters.

Host: I could sure use a treasure map, if you’re carrying. Do you have any more recent holiday stories you’d like to share?

TT: Well, one comes to mind that speaks to the current era. I have a collection of high school and college friends in the Washington, DC area who get together for dinner at a steak house just before Christmas every year. They’ve been doing this since the late 80’s and it’s called the Dinner of Men. I affectionately call it the Dinner of Dorks. I think I joined 8-10 years after its inception and have attended maybe half of them. In lean years, there might be a dozen people, but at high times there were over twenty.

Host: You can take the boy out of Catholic school, am I right? I assume these were drinking affairs.

TT: Oh, yes. Big drinking crowd. And most of the apples didn’t fall far from the tree. A mixed bag that skews mostly conservative based on family tradition, tax bracket, etc. Nice guys though, to a man. Anyway, the e-mail invite goes out in early December and the year in question was 2020, during the initial wave of COVID. Keep in mind that within that first year of the pandemic 270,000 people had already died and the vaccine was not yet available. So, the first few affirmative RSVP responses trickled in from the die-hards and the flat-Earthers/ever-Trumpers. Then there was a lag of several hours, which I abruptly ended with my little jeremiad.

Host: Oh, look out!

TT: To summarize, my declining RSVP response had four points, as follows:

1. To that date, in less than a year, the CDC reported that about 30,000 people in our age bracket (55-64) had already died with COVID. I pointed out that the Vietnam War claimed 58,000 U.S. lives, but over a 7-8 year period. Think about that.

2. I pointed out that, to quote, “it’s not about you.” Because there are vulnerable populations of elderly and people with pre-exiting conditions or who are immunocompromised, some of whom are relatives and friends, one’s bravado about an infection that might be subclinical or mild in you but lethal in others is utterly misguided and, frankly, negligent. I stated that this was not some FOX News “alternative facts” universe but a harsh life-and-death reality. Tucker Carlson was spewing disinformation about COVID while quietly having his family jump the queue to get the vaccine. That is the problem.

Host: No doubt about it. Although a false revision of that history is ongoing, as the sting of memory fades.

TT: 1000%.

3. That there was increasing evidence of longer term sequalae in survivors, like reduced cardiovascular function and neurocognitive effects.

Host: My buddy has intense fatigue following a COVID infection and is quite debilitated.

TT: Sorry to hear that. Thankfully, it’s rare, but what a scary proposition. And keep in mind that in Dec 2020, we had no idea how it was all going to play out. No vaccine yet. In the early days, nobody was sure if this the Swine flu scare of 1976 or the lethal Spanish flu epidemic of 1919? Anyway, I am pretty sure what followed was on account of my fourth talking point.

4.  Here I’ll copy and paste from my actual e-mail: “My good friend (Bob) who is an interventional radiologist just placed an ultrasound-guided suprapubic urinary catheter in an otherwise healthy male in his 50’s.  Why?  Because he had thromboembolic complications of COVID that resulted in frank necrosis not only of several finger tips but also of his DICK!!” And, holy shit, the responses came pouring in, all to the effect of, “Guys, I think I’m out this year.” That’s all it took — the existential threat to a man’s junk! If only we had started a national ad campaign based on that poor man’s incredibly unfortunate, and thankfully quite rare, complication (again, we didn’t yet know how rare). I’m convinced that 95% of men would have subsequently gotten vaccinated and been wearing masks religiously until the pandemic abated. No doubt in my mind.

Host: That’s incredible. Reminds me that I need to get the new vaccine. I hate to end this on such an austere note, but I want to thank you, Tommy, for joining us in the studio. It’s been a pleasure to hear you share some of your fondest Christmas memories from over the years. Do you have any final parting words for our audience?

TT: Yes. “Put yourself down for a towel.”

It was towels-abound before Bill Murray discovered the spirit of Christmas in “Scrooged” (1988).

“No Kings, Just Bling!”

President James Polk (#11) rockin’ a pre-mullet and a neck-er-bund. Born in North Carolina and raised in Tennessee, this protege of Andrew Jackson presided over the Mexican-American War and guided the annexation of Texas and the SW territory into the Union. But, as one can glean from this portrait, it was in personal style that he left his largest historical imprint.

The National Portrait Gallery, which shares space with the Smithsonian American Art Museum, is an underrated experience for visitors of Washington, DC. For starters, it’s free. Secondly, it boasts a panoply of American artworks that include paintings by Edward Hopper, Norman Rockwell, and Grandma Moses, sculptures by Frederic Remington and Augustus Saint-Gaudens, as well as a diverse array of temporary photography and other art exhibits. But the uniquely enticing aspect of this museum is its permanent collection of presidential portraits.

As I wandered the presidential portrait exhibit, I recalled that we had a so-called “bachelor president” who was long-rumored to be gay. Then I happened upon the canvas of James Buchanan (#15) and said to myself, “Yup.”
James Garfield (#20) in more traditional wear that reflect his conservative Ohio roots. A recent Netflix series indicates that he was, contrary to popular consensus, assassinated by Tom Wambsgans.
The irrepressible Teddy Roosevelt. (#26) What was it he said? Oh, yes, “Speak softly and have a really big dick!”
Woodrow Wilson (#28) was always a bit, ah, rough around the edges. Here he is shown floating in space as if, ah, segregated from the others.
FDR (#32) had his hands in all sorts of shit but ultimately left behind many aspects of his agenda as unfinished business. Or maybe the extra hands symbolize his unsuccessful attempt to pack the Supreme Court.
IKE (#34) had more the mien of a Fortune 500 CEO, not that there’s anything wrong with that.
I love this take on JFK (#35) by Elaine de Kooning (done in 1963) that befits both the man and the era.
They seem to have back-up versions, like this one of JFK done by William Franklin Draper in 1966 that I spied on a different visit.
Richard Nixon (#37), in the hands of Norman Rockwell, has never looked so near-normal.
The coloring here comes off as flat as Jimmy Carter’s (#39) presidency. But he was no doubt dealt a shitty hand, and few could ever match his enduring humanism and optimism post-office. Also note the lack of stupid-ass, gilded-gold shit on the mantel and walls.
I find the George H.W. Bush (#41) portrait interesting for the realistic detail of his face that abruptly fades into an impressionistic surround. Maybe this reflects the contrast between his buttoned-up public image and some of his shady background dealings, like those white-washed in the Iran-Contra scandal. BTW, did you hear that Oliver North and Fawn Hall finally wed after 40 years?!
Chuck Close asks you to step back from Bill Clinton (#42) to get a more insightful view. This print should be in every cigar bar in America.
Let’s just call this one of Obama (#44) “Mr. Cool-AF.” I would have been tempted to go tan suit but I love the spirit in it.
Sadly, this unofficial portrait of the First Idiot (I’ll call it “The Dickhead With No Dick”) does not, ah, hang in the National Portrait Gallery. But I suppose his being elected twice (#45 & 47) has an upside. It gives that frisson of hope to every lying, cheating, self-dealing, bullying miscreant asshole that they, too, might one day be able to debase our highest national office, undermine our democratic institutions, and leave their shit-stains on our precious Constitution.
Here’s another example of a phony president, this one from the actual National Portrait Gallery collection. It depicts Kevin Spacey as the fictitious President Frank Underwood from “House of Cards.” Oddly enough, it wasn’t on display my last time through.

Through the years and over the centuries, the many wars and treaties, the protests and counterprotests, the progress and the reversals, we as Americans have collectively endured a vast spectrum of emotional charge and turmoil. These have ranged from extreme highs to the lowest of lows, though mostly the doldrums of the in-between. And our current trials are not fundamentally different. It could be characterized as an ongoing battle of ideas and the struggle for the very power to manifest them. Action-reaction-counterreaction. Rinse and repeat. No retreat. An unending tug-of-war where there is no winner, except for the transient advantage. And this chaos we must face with a mix of sober rationality and also hopefulness. To paraphrase Ken Burns, we should embrace our nation’s history with all its inherent contradictions and dark ironies. We cannot change the past but we can improve upon it. To Hannah Arendt, this meant “amor mundi” or “love of the world.” By that she didn’t mean in the sense of naive and sentimental acceptance of evil or injustice (or in a manipulative way like those who would callously say about a tragedy, “things happen”). She meant that we must face our circumstances rationally and with a mind towards mending, towards better beginnings. And as a lover of analogies, we can liken this to the Japanese technique called Kintsugi (“to join with gold”). In that craft, broken ceramic pieces are reunited using a gold-infused lacquer. In so doing, the pottery’s flaws are not hidden but are fully embraced as an “ugly beauty,” and a fresh and beautiful new thing is formed.

Yes, we can.

May our futures be golden (17th century piece from Kyoto).

“What ever happened to…?”

“Big Jack” Nicklaus holds the finish.

What ever happened to those cardboard periscopes that were once ubiquitous at professional golfing events? I’d like to take this opportunity to start an internet rumor that it was young boys using them to look up women’s skirts that led to their eventual ban. I assure you that this is not based on personal experience. But had I thought of it back in the day…

The early days of wealth inequality. I don’t recall whether the Rich family made their money in boot-legging, oil or war-profiteering, but, really, what’s the difference? Today’s crypto-bro is yesterday’s gun-runner and all are awash in money.

What ever happened to Dr. N-R-Gee? When I was a kid, I failed to recognize that this was a clever play on the word ENERGY. But check him out here, head all aglow and riding atop a bad-ass U-boat. How is it he doesn’t have his own major movie franchise?! Now that’s fucking criminal…

Speaking my language.

What ever happened to the English language? The phrase “I should have went” is starting to sound quasi-normal to me through its tragic overuse. And we’ve already covered the annoying use of “literally” as a form of, ah, non-literal emphasis. Please allow me to modify my disdain for this particular usage to, in the parlance of the offending younger generation, “super-annoying”…

Would you try it today??

What ever happened to Wheeler’s Nerve Vitalixer? I heard that shit was dope! Literally…

“Trivialities”

ChatGPT crafted this image for me of a steel trap that’s well past its prime.

My wife was ribbing me the other day about someone’s name I couldn’t remember. It was right there at the tip of my tongue, and, given a month or two, I would have recovered it all on my own. Sadly, now that I’m on the wrong side of 60, these these happen not infrequently. The upside is that as my social circle shrinks, there are fewer names I have to recall. My response in these situations has been to bluster that my mind is as finely-honed as a steel trap. Only lately it feels more like one that’s been rusted through, tangled up in weeds, and covered in dog shit.

Canadian actor Jonathan Frid, who starred as the vampire Barnabas Collins in the campy gothic TV soap series “Dark Shadows” (1966-71)
In medical circles, this is called a “don’t touch lesion”

We grew up watching “Dark Shadows,” which must have been in syndication in the mid 70’s. It felt so odd to have an afternoon show featuring a vampire and a werewolf, though it was truly awesome and should be brought back. Try to imagine that initial pitch-meeting! Though, in hindsight, it moved along at a snail’s pace. But I have such vivid memories of that mausoleum and of that eerie opening/closing theme (deliciously sampled by King Geedorah/MF Doom on “The Final Hour”). And of the creepy parlor that would go from dark and cobwebbed to a brightly colored venue for waltzing in a sudden time warp. But when you’re a vampire, you have literally centuries (not “literally” in the bullshit newer meaning that somehow perversely denotes figuratively) of memories to keep alive, and maybe that’s how portraits first became popular. In thinking about the lessons learned from the show (other than keeping boom-mics out of the shot), the one that stands out is to never, ever unlock a chained coffin. That always, always, always ends badly. Words to live (and, literally, not die) by.

“What’s in your prison wallet?”

If you’ve never seen the episode of “Conan” with him, Kevin Hart and Ice Cube in a car and “coaching” a student driver, it’s absolutely and unconditionally hilarious (https://www.youtube.com/watch?v=1Za8BtLgKv8). That was the first time I had ever heard the human rectum described as a “prison wallet,” and I almost died laughing. A term that cannot help but invite much in the way of unwanted imagery. But it also got me thinking that you could invent a plastic device to house important goods and documents (alternative name = “The Midnight Express”), built to hygienically withstand the harsh feculent environment. And the ad campaign, done in conjunction with Capital One, of course, would end with the tag line, “What’s in your prison wallet?” God, I sure hope that shit is never not funny to me…

“New Biometrics in Medicine”

An early collaboration with ChatGPT on work-life balance in healthcare. More to follow!

I was brainstorming possible captions for this one and the best came from my friend JS:

“When we started this project, our report turnaround times were in the toilet.”

Taking callers now…

Here are a few other contenders:

“We won’t paper over your workflow problem.”

“Hands-free when you need it most!”

“At Draconian Healthcare, we keep the juices flowing… and we are flush with innovative strategies to optimize your efficiency needs!”

“Unclog your case backlog with Roto-Rooter-Radiology Associates, where your high volume is OUR next problem.”

“What more can you ask of life…??”

The best life has to offer right here in downtown Chicago (Aug 2025)

It’s an interesting thought experiment to ask yourself what you truly want out of life. I mean pizza, wings, beer and sports all have their place in augmenting our lives. But, then again, that depends on the pizza. Let’s be honest, most are mediocre. Many sound great in description and even look delicious to the eyes while still failing to deliver where it counts, on the tongue. But pizza does, very rarely, elevate to the level of spiritual experience (fennel sausage helps!). And which beer? Or who’s playing in this hypothetical game. I’m no fan of baseball at all, but I will fully acknowledge that despite the soul-crushing boredom of regular season games, the very same structural slowness and episodic nature actually accentuate the tension in the post-season (maybe I’ll finally tune-in for game 7 of the World Series tonight). Yet these entities remain in the top soil in terms of life’s greater meaning.

Post-script: I watched my first baseball game of the year, albeit partial, beginning in the middle of the 7th inning. I was transfixed. Wow, what a finish! Your heart rate doesn’t slow during the pauses, unlike regular season apnea/bradycardia. That play at the plate was just insane. And, as my cousin’s wife aptly stated, she being a huge Dodgers fan, “solo homers add up!”

So, first question, what do we actually need for a life lived fully? Allow me to take a stab at this one and create a rough draft (one thing I like about blogging is that you can add and subtract later — and in this way it serves as a model for how me might ponder and shape our own ideas). The equally important second consideration is how we are seeking it. But first things, first. Here’s my preliminary list:

Love and friendship

Wonder and surprise

Purpose and goals

Trying to avoid a full-on Dr. Phil self-help vibe here but these couplets might be condensed to:

Connection

Discovery

Usefulness

What do you think so far? It might be a pushing off point to something, such as figuring out where aspects of your life fit in or what might be lacking. Too trite or obvious? I’m not sure. That all depends on what we do with it (like the ingredients of a pizza). Let’s take music, for example, which operates on so many levels. It certainly can connect us, not least to ourselves. Who isn’t familiar with the notion of “this is my song!” It links you to key memories. And mentally to the artist. Also to the person who turned you onto it. To the film in which it was used. “Fortunate Son” and “Run Through the Jungle” by CCR can’t help but evoke images of Vietnam, for better or worse. George Gershwin‘s “Rhapsody in Blue” was all but ruined for me by that United Airlines ad, until it was rescued by the terrific play “Good Night, Oscar.” But just as that familiarity has buoyancy, songs also evolve in their meaning as the context of your life changes. Those reflecting on loss take on higher valence when you yourself have lost. This establishes a wonderful cycle of discovery and rediscovery.

Some folks are born made to wave the flag
Ooh, they’re red, white and blue
And when the band plays Hail to the Chief
Ooh, they point the cannon at you, Lord

One of the greatest joys in my life has been in the discovery of music and films and art and restaurants and cities and people. This process quickly becomes expansive with one find leading to another, and so on. Fascinating, this genealogy of treasures. I love getting recommendations about albums and shows and films, even if many don’t pan out. It’s all about the possibilities. The surprise. The hope. And isn’t something falling flat — something you had hoped would be transformative — another form of surprise? Another data point. These duds are like stray dots of paint to your personal canvas. They are the dissonant notes in jazz. We could, in a way, define ourselves by what we dislike/hate (I found the new film “A House of Dynamite” criminally boring despite the dire subject matter, which is quite a feat!)… and then, in time, somehow learn to love them and form a continuous Mobius strip of joyful absurdity (see prior post). But is any of this useful? Well, by our own standard, the music we love surely is. Plus the music we give. So, yes. And this is but a narrow slice of the bigger pie. We haven’t even considered creating things of our own. But let’s pull back and look closer at our connections.

Connection:

The great Chicago Bears running back Gale Sayers published his autobiography “I Am Third” in 1970 and it, in turn, inspired the made-for-TV movie “Brian’s Song” (1971). The book’s title is derived from his philosophy of humility in which he placed God first, his family second, and himself third. While I find this approach honorable and potentially useful, I propose a counter-philosophy that places oneself first. Before you throw food, allow me to explain. I don’t mean this in a solipsistic way. The point is not to justify Trump-like narcissism or a Gordon Gecko “greed is good” ethos. The kernel is that for you to meaningfully connect with others, to fully realize your ability to discover things, and to optimize your utility in the world and in the lives of others, you must connect with yourself. It all flows from there. I find misguided the notion of focusing primary energy on the external — God, your career, a marriage, the stock market, fashion, etc.. I had an actual epiphany once. Many years ago, I watched a one-man play about R. Buckminster Fuller, and somehow his philosophical discussion on the geodesic dome led me to this distillation:

The first task is to understand yourself to the best possible extent at any given stage. This will, by definition, be an evolving process. You must try to understand your motivations, your hang-ups, your tendencies, your fears, your hopes and dreams, your obligations. As you continue this assessment across time, your second objective is to, as best you can, accept and also love the person that you are. Only when you have done that can you truly offer yourself up to another person (or to the world) who has, hopefully, done similar work. They, too, accept themselves as they are, and they accept you in that same way and not some idealized version — with the mutual promise of continued positive exploration. In summary, you cannot gift yourself to someone without first knowing and accepting what is beneath your gift wrapping. And in this way , due to this giving intent, the initial focus on self is actually about connecting to others and not a purely selfish act.

James Caan (Brian Piccolo) and Billy Dee Williams (Gale Sayers) in “Brian’s Song” (1971), based on Sayers’ autobiography “I Am Third”
R. Buckminster Fuller gettin’ geodesic wit it.

Once we have developed the skills of self-discovery and acceptance, we can pivot to connecting with other people. As readers of this blog will have gleaned, I have little time for the cloth in my day-to-day life. I do, however, take inspiration from Biblical stories in the allegorical and philosophical sense. I believe there’s genuine renewal and connection in religion, so long as it isn’t limiting or isolating (Catholics mingling only with Catholics, for example, or anything to do with Scientology). In short, I’m good with God. But I keep him in my own way, more abstracted and in the background. Beyond that we have family, friends, life partners, co-workers, neighbors, and casual acquaintances that create everyday opportunities for exercising this need to meaningfully interact. But it takes time, energy, and a willingness to be open and vulnerable. This process won’t work if you’re faking it, hence the crucial step one. And it is habit-forming. Each of us have our limits, but positive interaction becomes self-reinforcing (unfortunately, so does avoidance). In parallel, it provides a feedback loop for self-awareness when you share your unfiltered beliefs and opinions. It is also an opportunity to discover knew ideas, jokes, cocktail recipes, film rec’s, etc.. In my three-man book club, we talk mostly about things other than the text, and I’m sure that’s the norm. By regularly engaging in this way, you become an important part of someone else’s life. You, in actual fact, are useful!

Discovery:

Somehow our educational institutions have managed to suck most of the joy out of learning. Nowadays it seems kids spend their entire youth trying to build a resume’ by doing activities they don’t want to do, volunteering just to volunteer, and studying just to pass the test. SAT prep begins in second grade, as do your fencing lessons and Mandarin classes. In the twenty-five years since I entered academic medicine, the CV’s have only grown more impressive, yet the depth of understanding is comparatively shallow. They struggle to answer basic questions about the research they have supposedly done. Their answers in an interview often seem stock. The degree of cultural engagement has seemingly waned and their general knowledge of literature, film, music, and art is lacking. Cultural reference points used to be a commonality. You didn’t have to love “Mannix” but you knew who he was. And you sure as shit had heard of the Velvet Underground, even if they broke up before you were of school age. To sum, there seems to be a fundamental lack of curiosity about the world beyond what will get them to the next step. This is, IMO, nothing short of tragic. I will admit they are much better traveled at a young age than my generation, with gap years and semesters abroad now de rigueur. But are they going to Barcelona just to play video games or stare at their phones? And don’t get me started in the whole influencer racket. Social media — as I blog (but not on FB or Instagram) — is the utter apotheosis of artificiality. It’s the new red dye #2. Fake, fake, fake. “Fake and Bake”. And now I sound like an old guy ranting but, hey, I’ll own it. I am ranting here. But the good old days weren’t so keen either. Much of it sucked. I had many teachers who hadn’t a clue how to actually teach. They were boring-AF and didn’t encourage a deeper learning into what wasn’t on the damn test. This stuff should be majorly fun and interesting or else you’re doing it wrong. In history classes, they somehow managed to NOT connect major events and periods that had enormous influence in their wake. Once you crammed the French Revolution, that was that and you moved on. Same with the Civil War. The Reconstruction was barely discussed and the era of Jim Crow and Plessy v Ferguson and the rise of the KKK were all given short shrift. Yet those aftershocks are still felt today. It was up to you to connect those dots (this is something that modern journalism does quite well and doesn’t get enough credit for). Missed opportunities. It seems to me that teaching in general has gone stale. I often longed for a course that would take a unified approach to a given stretch of history and delve into the music, literature, art, and media that suffused it — while also connecting things back to influential precursor events in a nodal way. These investigations could then be overlapped. This would provide an expansive view of history and show that all things are ultimately linked, rather than the dry, narrow, soulless approach that has been the tradition.

“Inherit the Wind” (1960) with Spencer Tracy playing the character based on as Clarence Darrow and Fredric March playing that based on William Jennings Bryan (with Harry Morgan as the judge). The setting was the 1925 Scopes Monkey Trial in Dayton, Tennessee. In my imaginary course, you can connect the Bible and creation theory, evolution and its mutation into eugenics theory, first amendment law, academic freedom, separation of church and state, the political careers of Darrow and Bryan, the suspender fashion, and the long history of air-conditioning. Plus throw in some film history and maybe a clip from “The Music Man,” since there’s always “trouble (oh, we got trouble) right here in River City”… that’s something that never goes away.

Rant ended. Suffice it to say that much of this work, extracting the meat from the crab or the juice from the pomegranate, falls to us as individuals. The upside of this is that it’s fun and invigorating. You get to make up your own syllabus! Literally, you can read whatever the fuck you want to read, watch whatever the fuck you want to watch and talk about them all with anyone who will tolerate you. The only stipulation is that you also have to listen. This is a dialogue with the world, not a one-man soliloquy. We necessarily must sometimes grow tired of our own voice (even Barbra Streisand longs occasionally to sing like Johnny Rotten). We need to, as Atticus Finch might say, walk a mile in someone else’s shoes. And when someone engages you, you can hit them with your best Travis Bickle: “you talkin’ to me?!” See if they get it. And I’m talking about trying as much of the damn buffet as you can stomach. Even poetry, for God’s sake! Because it’s all poetry. Miles Davis is poetry. Richard Linklater is poetry. Julia Child, Oscar Wilde, and Neil Young are all poetry. So was my grandmother, Mimi, who opened my eyes to art. That’s poetry run amok. And my childhood best friend, David R., who taught me this little gem: “What begins with F- and ends with -uck… FIRETRUCK!!” And if that ain’t poetry, then it doesn’t exist. So bring a sense of wonder on your daily meanderings and the world can’t help but deliver you novelty and surprise… “or your money back!”

Usefulness:

What do I mean by usefulness? Several things, it turns out, that can be small, medium, or large in scope. And as before, it begins with you and spreads outward. That’s the bargain. At the mundane level, we might look at our job and ask ourselves, “am I useful here?” or, better still, “is there I way I could be more useful (without too much compromise elsewhere in my life)?” The goal being to optimize (one can’t help but trip on management-speak in this realm) on as many fronts as possible. But I don’t mean this in a strictly utilitarian way, as in measures work output or committee service. I mean it in a soulful way — am I connecting with others and having an impact on a personal level? Am I useful to other named individuals. The key here is the specificity. My job in academic medicine affords me that chance in passing along my knowledge and experience to the next generation, which is what might be called a mutual reward. And in the era of zero-sum politics, this is a useful watchword. Ideally, what helps me also helps you. I will continue looking for clever ways to be more useful at the hospital, but it has to jibe with my overall philosophy. I spent far too much time in my early career volunteering for services that were not in that vein. It’s an easy trap that is routinely laid for young hires in all industries. As Polonius is oft quoted from Hamlet, “to thine own self be true.” But best if true in the way that is also useful to others.

The ghost of Hamlet’s murdered father appears to him on the late watch. My sense is that the coaching from ghosts generally comes too late and in the confusion of night. The idea is to avoid these problematic situations altogether with early intervention.

We are also of utility in numerous other ways. In sharing life’s joy and surprises with family, friends and significant others, we are like the cast members of an theater ensemble. A mutual support and affirmation society results if we are engaged and not brooding in the wings. In looking back, anything great or small that involves the burnishing of happy memories falls into this category. Looking ahead, anything that opens a possibility for realizing such future memories is also in the mix. And so this mind-set holds a balance between forward and backward reflecting. It’s a constant churn and, in a sense, this alternating to-and-fro is happening simultaneously in our minds.

Other times, our purpose might be temporarily defined by life’s negative circumstances. Talking with a friend who is struggling. Helping out a stranger in a moment of need. Supporting a family member through a physical ailment. Easing someone’s financial burden from time to time, when tenable. And just showing up is more than half of it. Being present. Listening. Making someone laugh at a difficult moment. That’s being useful. So, yes, call your old friends that you’ve lost contact with. It doesn’t matter why you fell out or drifted apart. Just do it.

As regards our more creative impulses (jokes and bits, poems, songs, stories, artwork, conversation, texts, letters and e-mails), I would say that our utility works in several important ways. One is simply to entertain — make ’em laugh. Another is through emotion — make ’em feel. A third way is through our intellect — make ’em think. Still further we can inspire them to create something themselves — make ’em want to do. These things all have value. And beyond the momentary gains, they also serve as points of connection in the ongoing churn of mutual gesture and action, the exchange of ideas and feelings, and the formation of a personalized particle-collider for inspiration and creation. It begins in you and like an electrical charge it arcs to those around you and energizes their lives. This, in part, is what R. Buckminster Fuller was trying to tell us about the eventual connectivity of all things. That in the highly specific thing lives transcendent generalities about life.

But there are pitfalls, of course. Here are but a few of them:

  1. As in golf, you can have too many swing thoughts that prevent you from feeling loose and just letting it fly. Try to keep things simple from day-to-day.
  2. Since we are on golf analogies, play your own ball and forget about your score or the other guy’s. As the old saying goes, often attributed to Teddy Roosevelt, “Comparison is the thief of joy.”
  3. On religion, beware its tendency to insularity and group-think. And also the twin evils of condescension and hypocrisy.
  4. On self-awareness, beware solipsism. The goal is to look inward to then extend beyond ourselves. To give back, to create, to teach, to share. I’m all for therapy, so long as it enables an expansiveness and interaction with the world. Don’t spend too much time alone.
  5. On interacting, try not to spread yourself too thinly. You’ll need time to recover and process. Do not overschedule.
  6. Small moments, including those with strangers, can be powerful. Do not overlook their importance. Great ideas and inspiration can come from anywhere at any time (even as we sleep!).
  7. Don’t expect perfection. If you are working on something like being a better listener, there will be set-backs. If there’s one thing Shakespeare taught us it’s that nobody is perfect, kings and cobblers alike.
  8. Be useful but don’t be used. Keep your eyes and ears open. Over the long haul, our relationships should be mutually beneficial, not an 80-20 scenario or worse.
  9. On creativity, try to maintain focus. I’m all about side projects and sudden inspiration, but it’s good to have an overarching goal.
  10. Get weird. Stay weird. Don’t follow the crowd.
T. Rex, man of the world. But there’s plenty of adventure to be had in your own backyard

We are getting close to the end of this marathon post. If you are still reading, what the fuck is wrong with you?! Get outside and sample the world!

Funny enough, I just stumbled into a fragment of a poem by Mary Oliver called “Sometimes” and in it she succinctly summarized all that my bloated prose was trying to convey:

Instructions for living a life:
Pay attention.
Be astonished.
Tell about it.

Had I seen that before, it would have saved us all a lot of time.